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New location, fresh faces
By Kurt Shaw
TRIBUNE-REVIEW ART CRITIC
Sunday, November 12, 2006

It was a Shadyside institution -- The Clay Place -- a gallery, gift shop and art supply store like no other in the area. A place known far and wide among those interested in the ceramic arts, whether it be students looking for clay tools or glazes, professional artists wanting to buy equipment such as pottery wheels or kilns, or aficionados of the art form wanting to look at and possibly buy ceramics by some of the top ceramic artists in the country.

But now, after 35 years, gallery owner Elvira Peake has moved her beloved Clay Place to Carnegie. Interestingly, the business still is on Walnut Street -- a location that shares the name, if not the glitz and glamour, with the street where the gallery was for the past 20 years.

This Walnut Street begins in a light industrial area behind Batey Chevrolet on Mansfield Boulevard. Also located there is Standard Ceramics, a manufactory of various clay products for schools, artists and institutions.

Peake has distributed Standard Ceramics' products as long as she has been in business. So when the company purchased a building next door -- which was a frozen-food warehouse before the 2004 flood -- they asked Peake if she would be interested in locating her gallery there.

She happily agreed and has been open there since April.

It's taken a little while, but Peake is back to exhibiting ceramics by her favorite artists, as she did on a continual basis at the former Clay Place.

The current show, "40 Under 40," displays works by nearly 60 artists younger than 40.

"It would have been under 40 (artists), but I kept adding people," Peake says.

That says a lot about Peake's love for the medium, as well as her far-reaching connections with artists from throughout the region, some throughout the world.

Several of the exhibiting artists came to Peake's attention 10 years ago when The Clay Place hosted an exhibition organized by the National Society of Arts and Letters called "Container Containment." One of them was California potter Jeff Brown, whose large, organic blue and ocher vessel demands attention in the center of the gallery.

'40 Under 40' What: An exhibition of ceramic works by artists age 39 or younger

When: Through Nov. 25. Hours: 10:30 a.m.-5 p.m. Mondays-Saturdays

Admission: Free

Where: The Clay Place,
1 Walnut St., Suite #2, Carnegie

Details: 412-276-3260 or




“Silkworm Haus” by Chris Antemann -- a small house that has worms coming out of it, with a nude figure of a woman sitting on top


“Birdbath” abstract birdbath with stuffed goose
by Brandon O'Hara

Another is David Pier, also of California, whose green porcelain pitcher has a retro-'60s vibe. And Oregon artist Chris Antemann's "Silkworm Haus," made of porcelain, China paint and decals, is a sight to behold: The small house has worms coming out of it and a nude figure of a woman sitting on top.

"It's fun to see their work 10 years later," Peake says.

Some of the artists Peake has known even longer, such as Dave Deily and Jamie Matthews, both of whom are instructors at Manchester Craftsmen's Guild, and both of whom bought potter's wheels from her when they were students at North Hills High School.

Matthews shows five mugs coated in a beautiful oxblood glaze in the exhibition, and Deily displays a deep brown, double-walled vase that is notable for several reasons, not the least of which is its flawless execution.

Deily and Matthews aren't the only ones included in the show who have a connection to Manchester Craftsmen's Guild. Amanda Wolf also teaches there. Her "Recurring Changes," a lamp made of stacked teapots, adds a touch of whimsy to one corner. And Sharif Bey, another artist who was bit by the clay bug while a freshman in high school, knew nothing about ceramics until he took a class at the Guild.

Bey went on to graduate from the art program at Slippery Rock University and earn a master of fine arts degree from the University of North Carolina at Greensboro. He was awarded a Fulbright Fellowship while enrolled in a doctoral program at Penn State University in 2003 and currently teaches ceramics at Winston-Salem State University in North Carolina.

In this exhibition, he displays one of his signature bead pieces, titled "Circle," which features a series of large, earthenware beads that turn into heads as they move around the necklace.

During her 35 years in the ceramics business, Peake has forged friendships worldwide. Perhaps the most far-flung example in this show is represented in the works of husband and wife Miao-Fang Lin and Brian Misavage. They live in Taipei, where Misavage teaches ceramics at Mingchi University of Technology.

Lin displays a rather wacky-looking vessel titled "Dancing" that looks like something out of a Dr. Seuss storybook, while her husband shows one of his salt-fired clay sculptures he calls "Hozho" that looks like a rock formation one would find in a cave.

There are several more artist-educators included in the exhibition, such as Mary Martin, who teaches at Winchester Thurston School in Shadyside; Laura DeFazio, of California University of Pennsylvania; and Yoko Sekino-Bove, who teaches at the Sweetwater Center for the Arts in Sewickley -- which says a lot about influence.

This being an exhibition of works by younger artists, there are also pieces by students on display, such as several works by high school students who attend the Pittsburgh High School for Creative and Performing Arts, Downtown, and a curious-looking "Birdbath" by Brandon O'Hara, an art student majoring in ceramics at Edinboro University.

O'Hara is a student of respected ceramicist Steven Kemenyffy, who will be included in the next exhibition, which will showcase ceramic works by "40 artists over 40" and opens Dec. 1.

Kurt Shaw can be reached at kshaw@tribweb.com.

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