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New location, fresh
faces
By Kurt
Shaw
TRIBUNE-REVIEW ART CRITIC
Sunday, November 12, 2006
It
was a Shadyside institution -- The Clay Place -- a gallery,
gift shop and art supply store like no other in the area.
A place known far and wide among those interested in the
ceramic arts, whether it be students looking for clay tools
or glazes, professional artists wanting to buy equipment
such as pottery wheels or kilns, or aficionados of the
art form wanting to look at and possibly buy ceramics by
some of the top ceramic artists in the country.
But now, after 35 years, gallery owner Elvira Peake has
moved her beloved Clay Place to Carnegie. Interestingly,
the business still is on Walnut Street -- a location that
shares the name, if not the glitz and glamour, with the
street where the gallery was for the past 20 years.
This Walnut Street begins in a light industrial area behind
Batey Chevrolet on Mansfield Boulevard. Also located there
is Standard Ceramics, a manufactory of various clay products
for schools, artists and institutions.
Peake has distributed Standard Ceramics' products as long
as she has been in business. So when the company purchased
a building next door -- which was a frozen-food warehouse
before the 2004 flood -- they asked Peake if she would
be interested in locating her gallery there.
She happily agreed and has been open there since April.
It's taken a little while, but Peake is back to exhibiting
ceramics by her favorite artists, as she did on a continual
basis at the former Clay Place.
The
current show, "40 Under 40," displays works by nearly
60 artists younger than 40.
"It would have been under 40 (artists), but I kept adding
people," Peake says.
That says a lot about Peake's love for the medium, as
well as her far-reaching connections with artists from
throughout the region, some throughout the world.
Several
of the exhibiting artists came to Peake's attention 10
years ago when The Clay Place hosted an exhibition organized
by the National Society of Arts and Letters called "Container
Containment." One of them was California potter Jeff Brown,
whose large, organic blue and ocher vessel demands attention
in the center of the gallery. |
'40 Under 40'
What: An exhibition of ceramic works by artists
age 39 or younger
When: Through Nov. 25. Hours: 10:30 a.m.-5
p.m. Mondays-Saturdays
Admission: Free
Where: The Clay Place,
1 Walnut St., Suite
#2, Carnegie
Details: 412-276-3260 or |

“Silkworm Haus” by
Chris Antemann -- a small house that has worms
coming out of it, with a nude figure of a woman
sitting on top
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“Birdbath” abstract
birdbath with stuffed goose
by Brandon O'Hara |
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Another is
David Pier, also of California, whose green porcelain pitcher
has a retro-'60s vibe. And Oregon artist Chris Antemann's "Silkworm
Haus," made of porcelain, China paint and decals, is a sight
to behold: The small house has worms coming out of it and a nude
figure of a woman sitting on top.
"It's fun to see their work 10 years later," Peake
says.
Some of the artists Peake has known even longer, such as Dave
Deily and Jamie Matthews, both of whom are instructors at Manchester
Craftsmen's Guild, and both of whom bought potter's wheels from
her when they were students at North Hills High School.
Matthews shows five mugs coated in a beautiful oxblood glaze
in the exhibition, and Deily displays a deep brown, double-walled
vase that is notable for several reasons, not the least of which
is its flawless execution.
Deily and
Matthews aren't the only ones included in the show who have
a connection to Manchester Craftsmen's Guild. Amanda Wolf also
teaches there. Her "Recurring Changes," a lamp made
of stacked teapots, adds a touch of whimsy to one corner. And
Sharif Bey, another artist who was bit by the clay bug while
a freshman in high school, knew nothing about ceramics until
he took a class at the Guild.
Bey went on to graduate from the art program at Slippery Rock
University and earn a master of fine arts degree from the University
of North Carolina at Greensboro. He was awarded a Fulbright Fellowship
while enrolled in a doctoral program at Penn State University
in 2003 and currently teaches ceramics at Winston-Salem State
University in North Carolina.
In this exhibition,
he displays one of his signature bead pieces, titled "Circle," which
features a series of large, earthenware beads that turn into
heads as they move around the necklace.
During her 35 years in the ceramics business, Peake has forged
friendships worldwide. Perhaps the most far-flung example in
this show is represented in the works of husband and wife Miao-Fang
Lin and Brian Misavage. They live in Taipei, where Misavage teaches
ceramics at Mingchi University of Technology.
Lin displays
a rather wacky-looking vessel titled "Dancing" that
looks like something out of a Dr. Seuss storybook, while her
husband shows one of his salt-fired clay sculptures he calls "Hozho" that
looks like a rock formation one would find in a cave.
There are several more artist-educators included in the exhibition,
such as Mary Martin, who teaches at Winchester Thurston School
in Shadyside; Laura DeFazio, of California University of Pennsylvania;
and Yoko Sekino-Bove, who teaches at the Sweetwater Center for
the Arts in Sewickley -- which says a lot about influence.
This being
an exhibition of works by younger artists, there are also pieces
by students on display, such as several works by high school
students who attend the Pittsburgh High School for Creative
and Performing Arts, Downtown, and a curious-looking "Birdbath" by
Brandon O'Hara, an art student majoring in ceramics at Edinboro
University.
O'Hara is
a student of respected ceramicist Steven Kemenyffy, who will
be included in the next exhibition, which will showcase ceramic
works by "40 artists over 40" and
opens Dec. 1.
Kurt
Shaw can be reached at kshaw@tribweb.com.
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